Electronic music is architecture of time: it builds, layers, modulates. It works with frequencies, spaces, forms.

In the third edition of Hamletsynthesized, this intuition expands and translates into a central metaphor: geometry. Not understood as mathematical rigour, but as a sensitive map of tensions, relationships, structures. Geometrical shapes thus become living symbols, capable of narrating the essence of each day of the festival, reflecting the sound qualities, the social dynamics, the emotional atmospheres that each event will build.

Openness, sharing, continuity.

The circle is the figure of ritual, of collective listening, of the cyclical nature that connects past and present. It is a form that unites without hierarchies, and represents the first evening of the festival, conceived as a convivial moment: a visit to the museum, and two performances that complement each other. A round movement, welcoming and introducing.

Tension, momentum, rhythm.

The triangle is a dynamic figure, made of unstable balance, of vertices pointing in different directions. It is perfect to narrate the second day, centred on the pulsating energy of live performance and dance, house and techno music. Three angles as three strong points: audience, artist and space. Rhythm is a moving geometry.

Modularity, complexity, collective harmony.

The hexagon is a shape that is repeated in nature to create functional and open structures, as in the honeycombs of bees. It symbolises the richness of diversity finding an order. Sunday's day is just that: apolyphonic anthology of sounds, meetings, lectures, instruments to explore, a market and a great final performance. A choral, modular, inclusive day.

Harmonic disconnection, poetic openness.

The pentagon is the figure that eschews perfect symmetry but remains centred. Irregular, suggestive, a symbol of the visual exhibition that accompanies the festival: a place where perception, image and sound intersect without wanting to coincide, leaving space for intuition and sensory ambiguity.